1307

One foot in front of the other 4, 5, 6

by Tina Hofman

One foot in front of the other 4

Batman had a fever last night. First time in his three and a half years of life.

His heavy breathing awoke me and I got up around midnight to see how he was. By 4am we were both still awake, his fever peaking.

We dozed away a little in the morning, just before the alarm went off.

I called my Mum, seeing if she could come early to stay with Batman, so I can go to work. I woke her up some 2 hours before she happily interacts with the world. She agreed to come asap. (gratitude.) In reality, had this happened in Birmingham I would be so much more stressed. (gratitude.)

 1307

Rehearsals are never fun after barely any sleep. Even less with knowing there is a poorly someone needing me at home. At various moments of my attempt at directing the actors tried to decode what I am trying to say. My happy level of articulation died a painful death today. My ability to make myself understood was greatly reduced, probably following the amount of sleep I’ve had. I could not look after my team and my project properly, and left my Mum to look after my poorly child.  For a brief moment I entered a deep dark labyrinth which was resonating with familiar questions about own professionalism and mothering decisions and meaning of life. I quickly withdrew from that pitfall. More guilt was not was I needed right now.

One foot in front of the other 5

The kindergarden saga continues. Spiderman is chuffed to bits, Batman less so.

Spiderman is gregarious, independent and makes friends instantly. Batman thrives less from new social situations. He cries at the idea of being left alone in unfamiliar surroundings. He does not want to stay. For several days I sit in the kindergarden room with him. In my coat and shoes, aware I have only a very limited amount of time before having to shoot off for work, I am trying to support his transition. And I feel I am crap at it.

I manage to sneak out and get to the rehearsals on time. A couple of hours later I call the kindergarden. He cried a bit, I am told, but is fine and happy now. I am sure this was said in a positive way, such as “there is nothing to worry about “. Unfortunately I did not hear the positive. I linger on the “cried a bit” bit.

In the afternoon break, I am having coffee with my old friend The Guilt:

The thing is, I enjoy my current job as much as a child enjoys their play. Not every job that I do is like that, but quite a few are. I sometimes get engrossed so much that I can hardly call it work. Still, it is, and I feel hugely privileged to be able to love what I do so much. So, Spiderman is in tears so I can leave and get so engrossed in my job to forget about the rest of the world for a few hours.

I finish my coffee and go back to work, leaving The Guilt to wash out the cups.

One foot in front of the other 6

Airport.

I am looking at a coffee cup next to my computer. I am alone.  I have a very linear task at hand:  have coffee (alone), do a bit of work (alone) and board my plane (alone). I am taking a short break in the current project to travel away to do another. I am travelling alone. One-woman travel.

For a moment I try to make sure I have not lost anything on the way. Wallet, passport, boarding pass, computer, bag.  I stir with a shock! “Where are the kids!?”- flies through my mind, only to remember instantly I am flying solo.

Having just said goodbye to my family, I feel a sense of grief and underlying freedom. Not quite sure what to do first. Almost like I have to unlearn some automatic habits. Like looking for the nearest toilet.

I feel I need not leave as much time walking to the gate now that I am alone. I have time at my hands and nothing but my own tasks to think about. Being engrossed in my computer and enjoying a powerful kick of a truly Italian espresso, I nearly miss my plane. Well done me.

0956

International Womens Day with Wonderwoman

Our friends at The Old Rep Theatre invited us to test some more new material from Wonderwoman:The Naked Truth! As part of the celebrations of the International Women’s Day notnow Collective are joining an all female line-up at an evening event, starting at 7pm.

However, as a special bonus, The Old Rep have organised a 2pm matinee for all who cannot make it to theatre in the evening, including parent/carer-baby audience. So, come and give as some feedback on our progress!

Tickets are bookable through www.oldreptheatre.co.uk

412

How do I write now, as a mum?

by Kristina Gavran

When you go for a writing workshop, most of them will start with a simple writing exercise – you have 5 minutes and you just have to write without stopping. The only rule is that you cannot move pencil from the paper (or fingers from your keyboard). They also say you should start your writing every day like that, and then move on to the „real writing“. But what happens when you do not have time for „real writing“ and the stream of consciusness becomes the only method of writing?

412

This is exactly how I feel since becoming a mother. This is how I have been writing lately, this is how this blog post will be written, this is my reality. I spend all morning chasing my baby; I feed him, change nappies, play with him, read, sing….I make so many mental notes during the day. Because I know…around eleven he will get tired and he will sleep for one to one and a half hours. And that is my precious time to write.

I leave him in his bed and I run to the laptop hidden in my wardrobe (he noticed there is something special about the laptop and he loves playing with it, so I can’t even open it in front of him). I turn the laptop on in panic, I open the new word document and I just start, without thinking.

Before, when I was still a student of dramaturgy and playwriting, I would stretch my writing process to infinity. I would make myself a cup of coffee, clean the table, put everything in order (which also helped me clear the mind), then stare at the white screen for some time. I would write the first sentence, think about it for some time, erase it, go and make myself a snack, stare again at the white screen, write again a first sentence…. at the end of the day I would have a couple of pages. I would edit, think about each word, read it out loud just to hear how it sounds, edit again…and again. What luxury!

Now I have only one rule – don’t move your fingers from the keyboard! Write as much as possible in a short time, don’t think, don’t go back, you will edit later. I am writing surrounded by mega bricks, talking puppies, plastic cars and picture books. My table is in mess, I don’t care. My tea is getting cold next to me, I don’t care. I have no time to sip from cup, I can’t move my fingers because it would stop the stream of (un)consciousness. With the corner of my eye I notice I made a typo in the previous sentence, but I don’t care. I have no time to go back. I check the clock in panic….he will wake up. I have to hurry! My battle with time is giving me strength to continue.

At the end of the day I think; is this still art? Is my writing of any quality when it is written like this, in panic? Should I just give up? How can you be a writer and a full-time mum?

But then I conclude; I cannot go without writing. So, if this is the only way at the moment, let it be. Yes, my sentences are not as beautiful and thoughtful as they used to be, but they are „more real“. And if in art history we had Baroque, Classicism, Naturalism and even Dadaism (influenced by baby talk among other things) then why can’t we have „more real mother writing“? I will write a manifesto of this new direction in literature and call it MWIP (Mother Writing in Panic). Let’s start a movement! Wait a minute….my baby just has.

 

1607

One foot in front of the other 1, 2, 3

Work, Parenthood and #RadicalChildcare

by Tina Hofman

1607

One foot in front of the other 1

We’ve got it! The Arts Council funding!! We got the bloody funding!!!

Spiderman heard the postman and ran to the door to pick up the letters. I try practicing his word recognition by letting him sort the post for us. He gave me my letter.

As soon as I read “Arts Council” at the top, and recognised a brown, large, thickly filled envelope, I knew it.

I got it out and the letters “Offer Letter” just gleamed at me.

Spiderman and Batman were on the sofa, playing gladiators. I started to squeal and then scream. They stopped and looked at their mother. I was on the verge of tears, but also quite hysterical, covering the mouth to mute the volume of shock.

Being aware of their confusion and slight concern I shouted: “I am so happy. Kristina and I finally got the funding for our show!!”. Having seen me disappointed at the previous rejection letters, they understood something went well.

“Will you be doing the Wonderwoman?”, they asked.

I nodded.

Spiderman and Batman were very pleased.

I now needed to pluck the courage to tell them I have to get onto the computer, rather than take them to the park.

One foot in front of the other 2

I have an urge to honour this time of the day. It is 11:17pm. Batman and Spiderman are soundly asleep. The fridge is humming. This is the only sound I hear. Apart from the rain on my windows.

A small glass of red next to my computer. Technology working . (gratitude.) Brain very much awake and working.  (gratitude, but also knowing I will be unable to switch off when I finally lie in bed.)

I sometimes feel strangely powerful, at this time of the day. Just answering a wave of accumulated emails. I am concentrated, focused and fast. I do not procrastinate as my hour of sleep depends on my speed of work.

Dishes are washed and all is ready to welcome the morning.

One foot in front of the other 3

I changed countries the other day. For a temporary job. My two kids are with me. I on my own at the moment, my partner arrives in a week.  We are still busy unpacking our things at our temporary home.  Luckily, they are thrilled with the excitement. Travelling and temporary beds do not phase them. (gratitude.) They actually know Zagreb quite well. My Mum lives here. She is happy to help. (gratitude.)

It was a good day today. It exceeded all expectation. My cast is wonderful, the rehearsal room is well-equipped and my ideas are flowing. I am articulated and seem to know what I am doing. Luckily, I have done my homework in depth.

I am collaborating with a colleague who is also super-organised and reading from the same page.

I am proudly collecting these golden stars. For the days when I might be tired, less focused and not so well articulated.

Having finished a Skype meeting with learning community on #RadicalChildcare, I stayed up late catching up on emails.

In bed I am going over my to-do list.

I packed 2 little rucksacks. 2 snack boxes.2 pairs of slippers for indoors. Waterproofs for outdoors in case it rains. Change of clothes for Batman in case he has an accident. A spare pair of trousers for Spiderman in case he gets. A selected toy by each. Filled out forms with phone numbers for emergency. In case they cry a lot.

Tomorrow we are trying the new kindergarten. Through lost of research I found, what I hope to be a suitable place. The kindergarten is inflexible with hours (9am-1pm, this covering only a part of the day), but flexible with us just staying for several weeks.

I sometimes take them to work with me, but currently I want/need/crave some intense and focused time. I also want them to enjoy their new surroundings. Not to feel punished.

They will be fine.

Momentary guilt creeps in.

I quickly remind myself it was a good day today.

4508

Wonderwoman: The Naked Truth

Wonderwoman: The Naked Truth

One dream. 

Two mothers. 

Three small kids. 

No bedtime routine, and the show must go on.

Creative Team:

Devised and performed by Tina Hofman and Kristina Gavran

Dramaturgical support through R&D – Duška Radosavljević and Hannah Silva

Rehearsal director –  Oliver O’Shea

Sound and Light Designer – Jon Bates

Stage Manager – Tom Moseley

Photography and poster design –  Fernando

Audience Feedback:

  • Captured the complexity of motherhood. Uplifting. Lyn Gardner needs to see it.
  • Excellent thought provoking piece. Most enjoyable. Deserves to be seen by a wider audience.
  • Highly original, entertaining, but also very thought provoking.
  • Marvellously thought. Provoking ideas, interestingly presented. Definitely worth developing this project further. I would also love to see a sequel show presenting the father’s point of view.
  • Great to see a relaxed attitude to little babies in the theatre too – the little toddler in pink was totally part of the show!
  • I thoroughly enjoyed some adult time in a child-friendly environment! Loved the thought provoking content – great show. Thank you.
  • Great show and actors, good to see a play deal with real life issues. Great to be able to bring children.
  • I wish my partner/the dad could have seen it, it would be great to have a dad version.
  • As well thought and funny, exciting show that is great for all ages that really captures the idea of motherhood. Was really nice for the kids to move around as they wished, made a big difference to the children enjoying the show. Thank you.
  • A great experience. Not only was the show relatable but also it was great to be welcomed to a space where my little baby could also come.
  • 18 months into parenthood and this is definitely told the story of our experiences – including me as a first time dad with many competing ambitions (the writing and language learning) Loved it!
  • Very honest! No one speaks it out. Great show made me laugh! It’s truth I’m mum myself! Go, girls. The show should have as many plays as possible.

Supported by Arts Council England, Sir Barry Jackson Trust and mac, Birmingham.

20160201_180228

Funding from Arts Council for Wonderwoman

We are delighted to announce that we were awarded funding from Arts Council England for the development of our first project Wonderwoman: The Naked Truth.

The project will be developed in partnership with mac, Birmingham and The Old Rep, and will open at the mac in May.

So far we know there will be four performances on different days, including two relaxed parent-baby performances for carers who wish to see theatre but have to bring their babies along.

Watch this space for more info.

20151117_115854

notnow using #RadicalChildcare at Impact Hub Birmingham

This autumn Impact Hub Birmingham and Famalam teamed up in delivering the pilot project Co-Work/Play as a part of #RadicalChildcare response.

notnow Collective took advantage of 3 out of four pilot sessions. This meant super-focused 3 hours of work for us, and super-creative play for our children. We are also proud to affiliate the birth of our company and launch of our website to this amazing subsidised initiative.

Read more about our experience  on our guest blog post here